[our lady of ferguson]

 

I don't know how it is only now, almost a decade after the shooting of Michael Brown in Ferguson, that I came across this piece by Mark Doox entitled "Our Lady of Ferguson and All Those Killed By Gun Violence"

Exquisite and profound all in one.

Read more:

Instagram: https://www.instagram.com/markdoox/?hl=en

Check out the gallery: https://www.saintsambo.com/work (this link seems to work on mobile but not on a desktop...)

Mark Doox has a new book coming out in February 2024: The N-Word of God

https://blog.fantagraphics.com/the-n-word-of-god-mark-doox-race-religion-black-power/

[meryl mcmaster - bloodline]

 I've been a fan of Meryl McMaster's work for a while now, since first seeing one of her photographs at the Art Gallery of Alberta a few years back.

This past spring, her work was exhibited at the McMichael Gallery north of Toronto. I wasn't able to attend, but instead bought the book -- and it is so worth it! Along with many gorgeous and intriguing photographs, the layout is attractive. Each section in the book also includes text by McMaster giving insight and background. Some photographs are accompanied by poems.

From the McMichael Collection webpage: 

Hardcover, 240 pages, plus foldout

140+ colour photographs

The Magenta Foundation, Remai Modern, McMichael Canadian Art Collection, 2023

The first monograph of Canadian Plains Cree artist Meryl McMaster whose work reflects her mixed Plains Cree, Dutch and British ancestry. The publication looks back to McMaster’s past accomplishments and bring us up to date on her current explorations of family histories, in particular those of her Plains Cree female forebears from the Red Pheasant Cree Nation in present day Saskatchewan.

Published by The Magenta Foundation in partnership with McMichael Canadian Art Collection and Remai Modern. A lavishly illustrated testimonial to McMaster’s past and present production, the book includes a foreword by Buffy Sainte-Marie, poem by Louise B. Halfe, an interview with the artist by Sarah Milroy, as well as a response to McMaster’s work from noted Métis writer, filmmaker, and activist Maria Campbell, a respected senior voice in Canadian literature.

To see more and to purchase: https://shop.mcmichael.com/products/meryl-mcmaster-bloodline

[Kent Monkman at the alberta gallery of art]

 

If you are a fan of Kent Monkman as I am, and live in the Edmonton area, here's an opportunity to see four of his works -- at the Alberta Gallery of Art.

On until May 21, 2023, the Generations exhibit includes the three works seen above plus one more in another gallery. 

Of particular interest to me were the two paintings seen at the centre and right above (Resurgence of the People, and Welcoming the Newcomers, respectively). As you can see, they are large and detailed -- yet these are the studies for the final versions that are at the Metropolitan Museum of Art... final versions which are monumental at 11' x 22' in size. Nonetheless, as I can't get to New York anytime soon, it was amazing to see them this close up!

The artwork in the front is a "sculptural installation Museological Grand Hall by the contemporary Mi'kmaw artist Ursula Johnson [which] evokes a silent vigil for her female ancestors - makers of baskets..." (from the museum label).

[my dearest friends project]

 

Created by DisArt and Oaklee Thiele, the My Dearest Friends Project is an international, disability-led art collaboration archiving disabled stories. The collected stories are featured as part of various exhibits, and the writers are compensated for their contribution. The site includes video and audio resources, and features the amazing drawings of Oaklee Thiele (see image above as an example).

Sections include:

• Submit a story
• Demand access, 
• Exhibits
• Disability History
• Youth Resources
• and more...

I would like to say that the drawings that appear throughout this site are a real treasure, as is watching some of the videos in which Oaklee is creating drawings. The video I watched was descriptive - meaning, along with the closed captioning that captured the words the narrators and speakers spoke, another voice described what was happening on screen. This is something that is not often done, but useful to be more inclusive for those who are visually impaired.

https://mydearestfriendsproject.org/

[the awakeners - Indigenous people with disabilities who are artists]

 

"Louis Riel's prophecy is coming to pass! The Indigenous artists are the Awakeners!

That's certainly what you'll witness in this 6-part, 1 hour documentary series in both English and French (12 Eps in total) in which Canadian acclaimed, indigenous singer and song writer, Laura Vinson embarks on a journey to meet extraordinary Indigenous people with disabilities who are artists. Laura's sudden loss of her mentally challenged sister, Noreen, combined with her own challenges with an anxiety disorder, plus the progressive loss of her hearing cause her to have a great deal of empathy and respect for those Indigenous and disabled people who are often underappreciated and underestimated." (from http://theawakeners.ca/)

Read more about this incredible project: http://theawakeners.ca/

Watch the series here: https://www.ami.ca/category/Awakeners/episodes

Note: at the point of posting, I have finished watching the first episode. I learned a lot and it also challenged some of my unconscious biases.

[museum of black joy]

Skyways, 2019, Bartram's Garden
(c) Andrea Walls

Andrea Walls began the Museum of Black Joy in response to ever frequent days filled with bad news about violence and hatred, often directed toward people of colour and other minorities. As a poet and photographer, she began taking photos of everyday joy in the Black community and posting them on her site.

Check them out at:

https://www.museumofblackjoy.com/

You can read an article the NPR wrote about her:

https://www.npr.org/2021/08/14/1026447517/museum-of-black-joy-andrea-walls?s=09 

[shame and prejudice - a story of resilience (book and exhibition)]

"Kent Monkman’s Shame and Prejudice: A Story of Resilience takes you on a journey through the past 150 years of Canada. It is a journey that reclaims and reinserts Indigenous voices into the collective memory of our country, challenging and shattering colonial ideas of our history."

(from website)

Through his art, Kent Monkman has been critiquing the colonial world of the museums which have been so silent about Canada's history of colonization, which have presented the colonizers' view of history, which have whitewashed the horrible things that were done.

Expand your mind by taking part in this excellent curatorial tour of the exhibition:

Watch on YouTube: https://www.youtube.com/watch?v=mACqPVUXzk8

Read the book online, in Cree, English and French: https://online.fliphtml5.com/xkla/ttia/#p=1. Note: I'd suggest watching the above video first, as it gives a clearer explanation if you are new to this.

[Indigenous art in the public eye]

Lori Blondeau, Asiniy Iskwew, 2016

"How do you make the work of First Nations, Inuit and Métis women artists in Canada more visible? Some people write research papers. Some people build collections. Some people advocate for funding.

Mohawk curator and scholar Lee-Ann Martin has participated in all of these modes of support in the past. But this summer, she is taking a very different approach—namely, putting the art of 50 Indigenous women artists on 167 billboards from coast to coast to coast." Leah Sandals, 

https://canadianart.ca/news/mawa-resilience-lee-ann-martin/

While this project took place three years ago, the Resilience Project is still offering two great resources:

"Resilience: 50 Indigenous Art Cards and Teaching Guide is a boxed set that contains 50 full-colour, 8" x 10" reproductions of contemporary Indigenous art and a bilingual (English/French) teaching guide, full of ideas on how to use the art cards to animate discussions and inspire activities in all subjects, from kindergarten to grade 12. It is based on the exhibition curated by Lee-Ann Martin, with teaching guide developed by Yvette Cenerini, Lita Fontaine, Dawn Knight and Albert McLeod." 

You can download the guide for free or purchase the complete box set at http://resilienceproject.ca/en/.

Nadya Kwandibens, Concrete Indians – 10 Indigenous Lawyers, 2012.

[LGBTQ2S artists from the north featured at Qaumajuq]

"A commitment to showcase diversity is at the heart of the Winnipeg Art Gallery's new addition, Qaumajuq, the world's largest public collection of Inuit art — and that includes highlighting a range of works by lesbian, gay, bisexual, transgender and two-spirit creators from the north."

From https://www.cbc.ca/news/canada/manitoba/qaumajuq-lgbtq2-artists-winnipeg-art-gallery-inuit-art-inua-1.5963732, written by Bryce Hoye.

Along with works of art by queer artists, two of the four Inuk co-curators of the inaugural exhibit are queer. You can read more and see pictures here.

What I'd like to focus on here, is some key quotes:

"I think it's a moment in time where we're ready for a push for the broader communities and every small town and everywhere to have more space and understanding for diversity and gender expression and peoples' sexual attractions." (Asinnijaq)

"The effects of colonialism and capitalism — of homophobic, anti-trans sentiments — still run deep in many communities, northern or not. It's important that we raise up these community members who are unafraid to be themselves, and I also understand that it's a privilege to be able to come out and live openly as queer." (Kablusiak)

"It's really important because I am thinking of all the young LGBTQ Inuit living all across the north, and throughout southern Canada and all around the world, and I want them to see this." (Heather Igloliorte). 

This is about representation -- seeing others like you in the world around you.

This is about returning to traditional values -- where everyone belonged and had a role in the community.

Read more about the INUA exhibit here.

Read more about Qaumaju, the amazing new gallery, here.

Read more articles and see many photos of artwork, at the Inuit Art Quarterly website.

The Inuit Art Foundation, in conjunction with the Smithsonian, held a webinar on Conversations: Queer Inuit Art, which can be viewed at https://youtu.be/_SlEIkTCJ8M.

[Qaumajuq - "it is bright, it is lit"]

Qaumajuq "is an innovative new museum, home of the largest public collection of contemporary Inuit art in the world. This first-of-its-kind centre connects to the Winnipeg Art Gallery on all levels, creating a 185,000-square-foot cultural campus in the heart of downtown Winnipeg."

The new Qaumajuq (on the left) connects to the existing Winnipeg Art Gallery building (in the right). Image and new gallery design by Michael Maltzan Architecture.

The two Virtual Opening events include a tour of Qaumajuq and its art, interviews with curators, performances and more:

Relive the two-part virtual celebration of Qaumajuq, the new Inuit art centre at the WAG.

 https://www.wag.ca/qaumajuq/opening/ 

On a personal note, I grew up in Winnipeg and loved going to the Winnipeg Art Gallery. The building has a solid timeless feel to it, without the showiness of more recent museums being built around the world. I particularly remember visiting the exhibit of works by Jacques Lipchitz which included some of his Mother and Child sculptures. Gorgeous stuff!

Now, having just watched the virtual opening of Qaumajuq, going there again in person to revisit the old and discover the new is definitely on my bucket list!

Read more at: https://www.wag.ca/qaumajuq/

For pictures of the interior and exterior of the space, scroll down to the "From Old Space to New" section on the Inuit Art Foundation website.

[webinars from the center for artistic activism]

Looking for some good learning opportunities? The Center for Artistic Activism has a great set of webinars related to the arts and activism. They are online and free; some include handouts.

Here's how they describe them:

C4AA Fundamentals is a free webinar series is designed to cover the core concepts of artistic activism for people motivated post-election. We don’t have answers, but we can provide some structure to your thinking and planning around how to creatively, and effectively, respond in the weeks to come.

Here's the first one, embedded from YouTube:

Click here if video does not appear above.

The full list of 25+ sessions can be seen at https://c4aa.org/webinars

Note that some videos are more interesting and challenging than others which can be slow and average. So do not judge the whole series by the one you watched! For example, the first two are average (though the first one is a good intro); the next three videos (3 - 5) are more interesting.

[brilliant critique of Vogue's whitewashed covers]

"Oslo-based student Salma Noor posted her own version of a Vogue cover on June 2, with the cover line “Being black is not a crime” in support of Black Lives Matter. Noor modeled for the alternative cover herself, with the help of photographer @calvin. Little did she know that the trend would go insanely viral days later—thanks in part to a June 6 internal memo from Vogue‘s editor-in-chief herself, Anna Wintour." (source)

Salma's action started a trend where people of colour did the same, tagging their images with #VogueChallenge. 

[revision and resistance - kent monkman]

My birthday present just arrived in the mail, and I'm super excited about it:

In collaboration with Kent Monkman and his studio, the Art Canada Institute is publishing a book on the commission and creation of his diptych unveiled at New York’s Metropolitan Museum of Art this week. Revision & Resistance: mistikôsiwak at The Metropolitan Museum of Art, which will be available for sale in March 2020, celebrates Monkman’s groundbreaking paintings with essays by today’s most prominent voices on Indigenous art and Canadian painting. (source: the Art Institute of Canada webpage)

Kent Monkman is a  Cree two-spirited artist living in the Toronto area whose work I've been following for a few years. He combines traditional European painting techniques with Indigenous imagery with critiques of colonization and Eurocentric views of history.

Here is one of the two pieces that he created for the Met:

Read more about the book:
https://aci-iac.ca/news/art-canada-institute-in-collaboration-with-kent-monkman

View my post about Monkman's exhibit, "The Rise and Fall of Civilization", at the Glenbow Museum in Calgary last year.

[rise and fall of civilization - exhibit]

In the late summer of 2019, I visited the Glenbow Museum with one specific goal in mind: to see the exhibit "The Rise and Fall of Civilization" by Kent Monkman, a Cree two-spirit artist based in Toronto.

From the museum's website:

Kent Monkman’s The Rise and Fall of Civilization references the near extinction of the American bison in the 1800s when unsustainable hunting practices, used primarily by white settlers, reduced the number of bison from over 30 million to just a few hundred by the 1880s. During this time, bison or buffalo were hunted for their durable hides and their bones were used for fertilizer and in the manufacture of bone china. The buffalo meat was left to rot, decimating a food source that had sustained Indigenous peoples for generations.

(source) 

Read more at the Glenbow Site: https://www.glenbow.org/exhibitions/kent-monkman-the-rise-and-fall-of-civilization/

The exhibit is long-term at the Glenbow, so be sure to check it out once the pandemic is over.


For a video about one of Monkman's other works, The Deluge, visit:
https://m.youtube.com/watch?v=OqbhG4BX6oU

All photos by rob goetze. (c) 2019.

[god as a black woman]

"Harmonia Rosales is a 33-year-old artist based Chicago who’s doing something really powerful. She’s recreating some classical paintings, but portraying God as a black woman instead."

Here's one example of her work:

Read more:

This Artist Reimagines Classic Paintings With God As A Black Woman And They're Beautiful

Harmonia Rosales' website:  https://www.harmoniarosales.com

Harmonia Rosales' Instagram: https://www.instagram.com/honeiee/