scouts canada apologizes ... and does it right

In the fall of 2023, Scouts Canada issued a formal apology to First Nation, Inuit and Métis communities and did it right.

First, here is what Liam Burns, their Chief Executive Officer, Scouts Canada, posted on LinkedIn:

This week, across Canada, Scouts Canada has been delivering an apology to First Nation, Inuit and Métis communities.

Scouting has been used to strip young people from indigenous backgrounds of their culture, identity and beliefs. And we still use indigenous language and symbols without the understanding and reverence they deserve.

An apology, without action, is just words. We hope to work with indigenous communities to make sure that, at the very least, our programs cause no more harm, our young people understand the truth of our history, and we celebrate indigenous culture.

But more than that, we have to find a way for Scouting to be led and owned by indigenous communities when, and if, it is wanted by those communities.

Find out more at scouts.ca/reconciliation

[source: https://www.linkedin.com/posts/activity-7115541299616743425-5MgB/ ]

If you are interested in truth and reconciliation, I strongly suggest that you read some of the links below, to see how the following items manifest in Scouts Canada source documents and indicate to me that the organization is authentic and moving in the right direction in its efforts and actions instead of being performative:

[meryl mcmaster - bloodline]

 I've been a fan of Meryl McMaster's work for a while now, since first seeing one of her photographs at the Art Gallery of Alberta a few years back.

This past spring, her work was exhibited at the McMichael Gallery north of Toronto. I wasn't able to attend, but instead bought the book -- and it is so worth it! Along with many gorgeous and intriguing photographs, the layout is attractive. Each section in the book also includes text by McMaster giving insight and background. Some photographs are accompanied by poems.

From the McMichael Collection webpage: 

Hardcover, 240 pages, plus foldout

140+ colour photographs

The Magenta Foundation, Remai Modern, McMichael Canadian Art Collection, 2023

The first monograph of Canadian Plains Cree artist Meryl McMaster whose work reflects her mixed Plains Cree, Dutch and British ancestry. The publication looks back to McMaster’s past accomplishments and bring us up to date on her current explorations of family histories, in particular those of her Plains Cree female forebears from the Red Pheasant Cree Nation in present day Saskatchewan.

Published by The Magenta Foundation in partnership with McMichael Canadian Art Collection and Remai Modern. A lavishly illustrated testimonial to McMaster’s past and present production, the book includes a foreword by Buffy Sainte-Marie, poem by Louise B. Halfe, an interview with the artist by Sarah Milroy, as well as a response to McMaster’s work from noted Métis writer, filmmaker, and activist Maria Campbell, a respected senior voice in Canadian literature.

To see more and to purchase: https://shop.mcmichael.com/products/meryl-mcmaster-bloodline

[braves wear braids documentary]

 If you are a TEACHER, this is a must-watch video!

Direct link to video

The Braves Wear Braids documentary looks at the spiritual meaning of braids, and the struggles faced by Indigenous youth to keep this important piece of the culture alive through interviews with Ethan Bear, Elders, and other Indigenous men who speak to their own personal experiences with their braids. (from video description)

So... hopefully by now most of us know not to touch other people's hair! Much of what I've seen on that topic has been about Black people having their hair touched by strangers. 

While of course I wasn't going around touching anyone's hair, this video gave me a better understanding of the important role of hair in Indigenous culture. Note the important role that parents, along with teachers and principals, have in educating others and in addressing and preventing bullying, in the context of Indigenous male youth with long hair and braids.

sil #2: Indigenizing the academy (part 1: concepts)

[core topic]

This is part of an ongoing series 
on strategically inclusive leadership. 
Read the introduction here.

Before COVID, I went to MacEwan University on several different occasions to attend seminars and symposia. Outside, they fly the Treaty 6 flag. On the way in, I noted that each entrance has a land acknowledgement posted in both English and Cree, on a formal plaque.

There is a wonderful Indigenous Student Center with several staff, a resident Elder, cultural ceremonies, tutoring and other educational supports. There are introductory Indigenous awareness courses.

Allard Hall, the university's new Arts and Culture Building, has an atrium named after Elder Jerry Woods, who served as an elder for MacEwan and other institutions for many years. A display on the second level of the atrium commemorates him and his legacy at the school. It has a plaque with his picture and a statement in the middle, with a picture on one side and a framed ribbon shirt on the other. MacEwan also commissioned Christi Belcourt and Isaac Murdoch to create a mural for the university.

Today, these kinds of things tend to be fairly common for many post-secondary educational institutions in Canada. Thirty years ago, were educational institutions doing anything of the sort that I shared about MacEwan?

Not in the slightest…

The foundation of education institutions here in Canada, whether at an elementary or high school level or post secondary, is a Western colonial cisgender heterosexual patriarchal one. Did I miss anything in that description? This includes a denial of what happened to indigenous peoples in Indian Residential Schools, and an insistence on conformity to the dominant culture. This education acts as if Indigenous people were from long long ago and ignores their present reality.

We are going to look at some important concepts  of indigenization and the academy related to the above example. Then we will see how these concepts could apply in a roughly parallel way to other organizations and businesses. Finally, a few comments on what we as strategically inclusive leaders can - and cannot - readily do about this, as people involved in ERGs or community organizations.

[anglican diocese of edmonton > finding our way]

 The Anglican Diocese of Edmonton has just released a document "Finding Our Way", which summarizes what our new (as of Sept 2021) Bishop has heard and how he wants to move forward. 

The document outlines 5 principles and 12 specific goals, some of which are specifically related to relations and reparations with Indigenous peoples, affirmation and full public support of LGBTQ2S+ siblings, and increased accessibility not just for buildings but also programs, vocabulary and ways of working.

Check out this important document, especially if you are part of the Anglican Church of Canada:

Intro: https://edmonton.anglican.ca/pages/finding-our-way

Actual Finding Our Way (PDF)

https://edmonton.anglican.ca/df_media/W1siZiIsIjIwMjIvMDcvMDYvMTIvMjYvNDQvY2E1Mzc1ZGYtNTliMC00NGRhLWFmMDAtODU5MjA0ZGU5ZTM2L0ZpbmRpbmcgT3VyIFdheSBGSU5BTC5wZGYiXV0/Finding%20Our%20Way%20FINAL.pdf?sha=075b06476959332f

[the awakeners - Indigenous people with disabilities who are artists]

 

"Louis Riel's prophecy is coming to pass! The Indigenous artists are the Awakeners!

That's certainly what you'll witness in this 6-part, 1 hour documentary series in both English and French (12 Eps in total) in which Canadian acclaimed, indigenous singer and song writer, Laura Vinson embarks on a journey to meet extraordinary Indigenous people with disabilities who are artists. Laura's sudden loss of her mentally challenged sister, Noreen, combined with her own challenges with an anxiety disorder, plus the progressive loss of her hearing cause her to have a great deal of empathy and respect for those Indigenous and disabled people who are often underappreciated and underestimated." (from http://theawakeners.ca/)

Read more about this incredible project: http://theawakeners.ca/

Watch the series here: https://www.ami.ca/category/Awakeners/episodes

Note: at the point of posting, I have finished watching the first episode. I learned a lot and it also challenged some of my unconscious biases.

[takiwatanga]

When I saw this tweet the other day, I thought to myself, this is an amazing word! How cool that the Maori had a word for people who are autistic. 

Turns out, that the word was created in 2017. While that did surprise me, it doesn't make it any less legitimate. Language is a living thing and in this case, Keri Opai, a civil servant, worked with the Maori disability community to create about 200 words and phrases specifically for mental health, addiction and disability.

About the word for autism, Keri Opai says

"The word I have coined in te reo Māori for autism is ‘Takiwātanga’. It is a derivation of my phrase for autism: “tōku/tōna anō takiwā” – “my/his/her own time and space”."

 

Read more about how this word came to be in Keri Opai's story (video and text): https://www.altogetherautism.org.nz/a-time-and-space-for-takiwatanga/

Read the short BBC article on this project: https://www.bbc.com/news/blogs-news-from-elsewhere-40493398

Check out the very cool language glossary, featuring te Reo Maori <> English translations, word collections, plus phrases and proverbs: https://www.tereohapai.nz/

[family behaviours that increase your LGBTQ+ / Two Spirit child's health and well-being]

"Research from the Family Acceptance Project found more than 50 family accepting behaviours that help protect your lesbian, gay, bisexual, transgender and queer-identified (LGBTQ) / Two Spirit child against health risks like depression, suicide and illegal drug use and help to increase your LGBTQ / 2S child's self-worth, health and well-being." (from poster)

"A little change makes a difference in decreasing your child's isolation and risk
and giving them hope that their family will be there for them."

This project has several great posters available for free in PDF, sized for various printing purposes. This image shows a portion of one of the posters. 

Article on this project: https://www.advocate.com/commentary/2021/11/26/saving-two-spirit-and-indigenous-lgbtq-youth

Direct link to project page and posters: https://familyproject.sfsu.edu/content/family-acceptance-project-healthy-futures-posters-american-indian-communities

[shame and prejudice - a story of resilience (book and exhibition)]

"Kent Monkman’s Shame and Prejudice: A Story of Resilience takes you on a journey through the past 150 years of Canada. It is a journey that reclaims and reinserts Indigenous voices into the collective memory of our country, challenging and shattering colonial ideas of our history."

(from website)

Through his art, Kent Monkman has been critiquing the colonial world of the museums which have been so silent about Canada's history of colonization, which have presented the colonizers' view of history, which have whitewashed the horrible things that were done.

Expand your mind by taking part in this excellent curatorial tour of the exhibition:

Watch on YouTube: https://www.youtube.com/watch?v=mACqPVUXzk8

Read the book online, in Cree, English and French: https://online.fliphtml5.com/xkla/ttia/#p=1. Note: I'd suggest watching the above video first, as it gives a clearer explanation if you are new to this.

[Indigenous art in the public eye]

Lori Blondeau, Asiniy Iskwew, 2016

"How do you make the work of First Nations, Inuit and Métis women artists in Canada more visible? Some people write research papers. Some people build collections. Some people advocate for funding.

Mohawk curator and scholar Lee-Ann Martin has participated in all of these modes of support in the past. But this summer, she is taking a very different approach—namely, putting the art of 50 Indigenous women artists on 167 billboards from coast to coast to coast." Leah Sandals, 

https://canadianart.ca/news/mawa-resilience-lee-ann-martin/

While this project took place three years ago, the Resilience Project is still offering two great resources:

"Resilience: 50 Indigenous Art Cards and Teaching Guide is a boxed set that contains 50 full-colour, 8" x 10" reproductions of contemporary Indigenous art and a bilingual (English/French) teaching guide, full of ideas on how to use the art cards to animate discussions and inspire activities in all subjects, from kindergarten to grade 12. It is based on the exhibition curated by Lee-Ann Martin, with teaching guide developed by Yvette Cenerini, Lita Fontaine, Dawn Knight and Albert McLeod." 

You can download the guide for free or purchase the complete box set at http://resilienceproject.ca/en/.

Nadya Kwandibens, Concrete Indians – 10 Indigenous Lawyers, 2012.

bon repos

Trigger warning: Indian Residential Schools

_______________

We stole your children.

We buried them in whiteness.

We buried them in the fields.

News is getting out.

We fly the colonizers' flag at half-mast, 

a false apology at best.

Poem and photo by rob goetze

[celebrating Indigenous picture books]

I want to let you know about this amazing resource put out by International Board on Books for Young People (Canada) (IBBY) in 2018 - a catalogue of the 100 best of Indigenous picture books! 

Plus, issued in June 2021, an additional catalogue of the best new 25 books!

From board books to picture books for older readers, this collection is a selection of 100 of the best books by Indigenous authors, many illustrated by Indigenous artists, published in Canada and currently in print. The titles reflect the diverse First Nations, Métis, and Inuit cultures, languages, perspectives, and experiences from sea to sea to sea. Attention was given to including picture books that promote and support Indigenous languages. All titles reflect authentic First Nations, Métis, and Inuit voices and offer insight into their distinct histories and current realities of these communities. (from IBBY website newsletter)

IBBY Introduction to the Catalogue

The Original "From Sea to Sea to Sea: Celebrating Indigenous Picture Books" Catalogue (PDF)

The 2021 "From Sea to Sea to Sea (2021 edition)" Catalogue (PDF)

IBBY Canada Special Edition Newsletter: From Sea to Sea to Sea: Celebrating Indigenous Picture Books

[LGBTQ2S artists from the north featured at Qaumajuq]

"A commitment to showcase diversity is at the heart of the Winnipeg Art Gallery's new addition, Qaumajuq, the world's largest public collection of Inuit art — and that includes highlighting a range of works by lesbian, gay, bisexual, transgender and two-spirit creators from the north."

From https://www.cbc.ca/news/canada/manitoba/qaumajuq-lgbtq2-artists-winnipeg-art-gallery-inuit-art-inua-1.5963732, written by Bryce Hoye.

Along with works of art by queer artists, two of the four Inuk co-curators of the inaugural exhibit are queer. You can read more and see pictures here.

What I'd like to focus on here, is some key quotes:

"I think it's a moment in time where we're ready for a push for the broader communities and every small town and everywhere to have more space and understanding for diversity and gender expression and peoples' sexual attractions." (Asinnijaq)

"The effects of colonialism and capitalism — of homophobic, anti-trans sentiments — still run deep in many communities, northern or not. It's important that we raise up these community members who are unafraid to be themselves, and I also understand that it's a privilege to be able to come out and live openly as queer." (Kablusiak)

"It's really important because I am thinking of all the young LGBTQ Inuit living all across the north, and throughout southern Canada and all around the world, and I want them to see this." (Heather Igloliorte). 

This is about representation -- seeing others like you in the world around you.

This is about returning to traditional values -- where everyone belonged and had a role in the community.

Read more about the INUA exhibit here.

Read more about Qaumaju, the amazing new gallery, here.

Read more articles and see many photos of artwork, at the Inuit Art Quarterly website.

The Inuit Art Foundation, in conjunction with the Smithsonian, held a webinar on Conversations: Queer Inuit Art, which can be viewed at https://youtu.be/_SlEIkTCJ8M.

[Qaumajuq - "it is bright, it is lit"]

Qaumajuq "is an innovative new museum, home of the largest public collection of contemporary Inuit art in the world. This first-of-its-kind centre connects to the Winnipeg Art Gallery on all levels, creating a 185,000-square-foot cultural campus in the heart of downtown Winnipeg."

The new Qaumajuq (on the left) connects to the existing Winnipeg Art Gallery building (in the right). Image and new gallery design by Michael Maltzan Architecture.

The two Virtual Opening events include a tour of Qaumajuq and its art, interviews with curators, performances and more:

Relive the two-part virtual celebration of Qaumajuq, the new Inuit art centre at the WAG.

 https://www.wag.ca/qaumajuq/opening/ 

On a personal note, I grew up in Winnipeg and loved going to the Winnipeg Art Gallery. The building has a solid timeless feel to it, without the showiness of more recent museums being built around the world. I particularly remember visiting the exhibit of works by Jacques Lipchitz which included some of his Mother and Child sculptures. Gorgeous stuff!

Now, having just watched the virtual opening of Qaumajuq, going there again in person to revisit the old and discover the new is definitely on my bucket list!

Read more at: https://www.wag.ca/qaumajuq/

For pictures of the interior and exterior of the space, scroll down to the "From Old Space to New" section on the Inuit Art Foundation website.

tastawiyiniwak

Edmonton has recreated its electoral ward boundaries, and at the same time, named the new wards based on names gifted by the Committee of Indigenous Matriarchs. 

I’d like to highlight one new ward in particular:

tastawiyiniwak - ᑕᐢᑕᐃᐧᔨᓂᐊᐧᐠ

You may have heard of the term “Two Spirit”, used to refer to Indigenous people who do not fit a Western gender binary and who had specific roles and responsibilities in their nations. The term is a cross-nation umbrella term for use only by Indigenous peoples, coined in contrast to Western labels and because many original Indigenous words have been lost due to the impact of colonization. 

Tastawiyiniwak – pronounced TASS-TAW-WIN-EE-WOK – is the Cree-specific word for those who are Two Spirit. It means “the in-between people”, and “was only used when referring to all of the iskwêhkânak ekwah nâpêhkânak. Each was free to move between gender roles”. 

To clarify, iskwêhkânak is the Cree word for “fake woman” (but without the negative connotations) and nâpêhkânak is the Cree word for “fake man”. Depending on the Cree nations, there were up to five additional words for gender beyond the “traditional Western” words male and female. Tastawiyiniwak is a word that refers to all Cree people whose gender roles are other than male or female. 

So why was this name gifted to that particular new ward?

Terri Suntjens, Director of Indigenous Initiatives at MacEwan University, explains:

“We have grandmothers within our spiritual realm, within our ceremonies, that sit in different directions. We have the east, the west, the south, the north, the southeast. They each have different responsibilities. They look after different people and have different … responsibilities. And so, the grandmother that sits in the north direction, when the pipe is gifted and held up to the north, is the grandmother that takes care of our LGBTQ2S+ community” (shared at Edmonton Council meeting, Sept. 21, 2020)

---

For more information:

Introduction to Two Spirit People

Edmonton's Ward Naming

[electoral wards in Edmonton given new names by Committee of Indigenous Matriarchs]

Edmonton has revised its electoral boundaries, and at the same time, renamed all the wards with Indigenous names selected by the Committee of Indigenous Matriarchs. 

My new ward is #5, named O-day'min, meaning strawberry or heart berry. 

The city's page about the new wards includes explanations of the new names, pronunciation guides, and information about how the name was chosen for that ward.

If you live in Edmonton, check out your new ward using the links at the bottom of this post.

How did this come about?

[explore the many worlds of contemporary Indigenous music]

Looking to broaden your musical horizons and increase your cultural exposure? Here's just the thing for you:

Reclaimed is a weekly series on CBC Radio that explores the many worlds of contemporary Indigenous music from traditional songs and acoustic sounds to Native hip-hop, R&B, and the dancefloor-filling beats of electric powwow.

Listen free online at:

https://www.cbc.ca/listen/live-radio/1-184-reclaimed

Featuring over 80 episodes, each 53 minutes in length.

introduction to two spirit people

In the fall of 2018, my colleague and I met with Jeff Chalifoux, then one of the co-chairs of the Edmonton 2 Spirit Society. Our conversation led to two "Two Spirit Ceremony and Workshop" days being held at my place of work. 

I attended both sessions and they were amazing and enlightening. Over the months that followed, I read many, many articles about Two Spirit people, mostly by Indigenous academics, of whom many were themselves Two Spirit. I also attended another Two Spirit ceremony at MacEwan University in March 2020, led by Elder Leonard Saddleback.

One of the outcomes of this learning focus is that I wrote a crisp, two page article titled "Introduction to Two Spirit People", which I'd like to share with you. I'd also like to thank Jeff for giving the final draft a helpful once-over!

Read: Introduction to Two Spirit People

I welcome your thoughts and feedback using the Comments section below.

[a fifth direction]

If you are familiar with Indigenous teachings, you will know that the four directions feature prominently in many of them. 

For example, a Prayer in the Four Directions by Francis Whiskeyjack refers to east as the physical dimension, south the mental dimension, west the emotional, and north the spiritual. 

Other teachings refer to the relationship between the four directions, the four races, the four seasons, and so on. Often these are mapped onto a medicine wheel such as the one shown to the right.

The poet Eduardo C. Corral wrote a poem which had an interesting line in it. After speaking about someone burning sage and facing the four directions, he writes:

Some Mesoamerican elders

believed there’s a fifth direction.

Not the sky or the ground

but the person right next to you.

The fifth direction as the person right next to us... 

Who has been that fifth direction for you? Who has been there in difficult times and in good times? And for whom can you be that fifth direction, that person to turn to?

This idea also reminds me of the movie The Five Elements. Four of the elements are the traditional elements: fire, water, earth and air. The fifth element is -- well, I won't spoil the movie for you, but it is also an unexpected twist. Watch the movie if you enjoy futuristic films that have interesting characters, a good storyline, an amazing opera singer and more -- all without being dystopian. 

Back to Corral's poem: this concept of the fifth direction really moves the directions from the conceptual and abstract (seasons, four aspects of a person, colours, races) and sacred medicines and people and animals in general, to a very real person - the person next to me. That's where, to use one of my late father's phrases, "the rubber hits the road". 

Poem excerpt from "To Francisco X. Alarcón (1954–2016)" by Eduardo C. Corral. 

Read the whole poem https://poets.org/print/poem/8bae9876-e503-4f9c-8835-28bbe26e24ff

[social justice books]

Social Justice Books calls itself "the best selection of multicultural and social justice books for children, YA and educators," and looking at their site makes it obvious that their claim is true.

The site includes curated booklists, an excellent Guide for Selecting Anti-Bias Children’s Books, and more! The booklists (the above picture 14 of the over 60 booklists available) include almost every culture imaginable as well as broader topics like culture/language, hair, holidays, etc.

https://socialjusticebooks.org/